Posts Tagged ‘breasts’

Keeping Abreast of Time: My Wonderful Breast Clock

April 18th, 2011 Comments off

In our corporatized consumer culture, we humans are subjected to saturation bombing by advertising moguls containing subliminal as well as overt sexual messaging. An outcome of this mass-merchandising of sexuality in the guise of the commonplace is the frequent rendering of the erotic  as ordinary and indistinguishable from the background noise of daily life. One of the ways that creative people can rebel against this vulgarization of what should be extraordinary is to find ways of restoring a sense of unanticipated spontaneity to messaging conveying the erotic aspects of the human condition.

My own recent contribution towards recapturing what is exciting and mysterious about  human sexuality was combining art with utility. In that connection, there is probably no more utilitarian object  than the ubiquitous wall clock. Unlike wrist watches, which long ago became branding  exercises and fashion statements, the commonplace wall clock, be it at the home or in the office, is merely an implement measuring the passage of time. The movement of the dial hands are about as exciting as the numbers they pass in split second motion or by the minute and hour.  In other words, the wall clock is the ultimate  appliance of dullness; inherently practical with undeniably boring optics . We look at our wall clocks out of necessity, such as counting down the moments until five o’clock in the afternoon and quitting time, or the end of a long, sleep-inducing oration.

Having done some fine art photography, with female nudes as my primary subject, I embarked on a project that involved selecting one of my images, and having it substitute for the numbers on a wall clock. The result is my first foray into measuring the passage of time, the Breast Clock ( The challenge was to select  an anatomically interesting portrayal of a  woman’s breasts, and have that image substitute for numbers on a contemporary wall clock. The result, I believe is a visually pleasing transformation from the ubiquity of the typical wall clock.


The body is aluminum, the glass face sturdy and the movement is quartz. However, that is all the Breast Clock has in common with other wall clocks. On the dial face of the Breast Clock you will not find a single number. However, what is there is, I believe, is far more interesting and visually pleasing. Keeping abreast of time (pun intended) now no longer needs to be a dull chronological exercise, but can now also arouse passion and a sense of wonderment about what remains very special and miraculous about human sexuality and eroticism.

By combining form and functionality with aesthetics and sensuality, the once ordinary wall clock is now transformed into the visually impactful Breast Clock. It still tells the time, and runs on a “AA” battery. However, that is where the similarity with other wall clocks ends. The real message here is that human creativity can design the everyday products of life to become far more exciting and stimulating. That would be a refreshing change from the current cultural trend towards rendering that which should be an emotional superlative into the bleakness of the ordinary.




Carrie Prejean and Her Breast Obsession

May 7th, 2009 Comments off
Maybe I’m just Miss California dreaming, but it seems to me that Carrie Prejean is afflicted with a terminal case of breast envy. Just as some men may feel inadequate if they perceive a certain part of their anatomy doesn’t “measure up,” it could be that the actions, thoughts and words of the 21 year old beauty queen and runner up at the Miss USA pageant are merely a disguise for her own sense of not “measuring up” to her beauty queen peers in the natural state God endowed her with.
There is a reason why I inserted God into this narrative. The whole premise of Ms. Prejean’s political antics has been predicated on the claim that she is a devout, Bible-believing Christian woman and her outspoken posture on the issue of same sex-marriage is an act of pious conscience. Whether or not I agree with Carrie Prejean’s decision to place her celebrity persona in the service of the anti-Gay marriage organization known as the National Organization for Marriage, I could respect her decision if it was based on consistency. However, it strikes me that this devout Bible-believing Christian woman missed one verse in the Bible, no doubt unintentionally. Allow me to quote from Chapter 4, Verse 5 of the Song of Solomon: “Thy two breasts are like young roes that are twins, which feed among the lilies.”

If you are a conservative Christian who believes that the entire Bible, chapter and verse, is the inalterable word of God almighty, then it appears clear that God thought female breasts were quite important, or otherwise the Lord of the universe would not have bothered to reveal what is essentially an erotic ode to the bosoms of women. My interpretation of this biblical verse is that God thought breasts as they exist on each woman are beautiful, “like young roes that are twins, which feed among the lilies.” And for the record, young roes are somewhat on the small size.

So, it is obvious that God adores female breasts (kind of like me, or maybe it is vice versa). But more importantly, God created female breasts, along with everything else in the universe. So the essence of that verse from the Song of Solomon is that God thought his creation of the bosoms of women was perfection. Furthermore, it is a principal of conservative Christians such as Carrie Prejean that everything God created in its natural state is perfect and should never be altered, such as the institution of marriage being solely a union for a man and a woman. So Ms. Prejean, what about hiring a cosmetic surgeon to alter your breasts, and undo God’s perfect creation?

According to Keith Lewis, the co-Director of the Miss California Pageant, Carrie Prejean approached his organization, and they acceded to her request to arrange the surgical insertion of implants into her breasts, so that she would be more “competitive” as she came to blows with her rival beauty queens. This may be calculating and even cynical, but is hardly a reflection of Christian values, unless I’m missing something Ms. Prejean is more attuned to.

Statistics from the American Society for Aesthetic Plastic Surgery indicate that in an average year, more than 300,000 American women have their breasts surgically enlarged. As someone who has been involved in extensive fine art photography of the female nude, this strikes me as tragic. Medical science confirms what my own eyes have observed; 60% of women in the United States have breasts that fit into bras with an A or B cup. Most breasts at maturity are of modest or small size, and historically most artists have preferred female models with bosoms on the small size as the ideal manifestation of feminine beauty.

In my book on the aesthetics of female sensuality, entitled “Erotic Book,” (information available at I explored the reasons why so many women have been seduced into believing that external perceptions of their state of beauty and feminine allure are solely determined by the quantity of fatty tissue contained within their mammary glands. Not only is size the least important aesthetic component of breasts; the consequences of surgical implants have often led to dire results for women.

In my opinion, Carrie Prejean did not set a sterling example by succumbing to superficial and vulgar definitions of feminine beauty and going the implant route, in a crass attempt to win a contest based on factors that have nothing to do with her character or innate human qualities. For that reason, her awkward attempt to now transition from the woman with the implants to a virtuous moral crusader lacks all credibility. A veneer of pseudo-Christian hypocrisy will not camouflage Ms. Prejean’s vapid breast obsession, no matter how tightly she wraps herself with it.


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